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Blog
  • Ozwald Boateng LFW AW 2012
    Wednesday, February 22, 2012 - 01:45
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    The Japanese designers this season really are making a name for themselves, first Dans La Vie now Ozwald Boateng- it’s becoming a bit of a pattern!

    Boateng’s 'Migration' collection is based on Yofuku (a Japanese interpretation of modern western wardrobe and tailoring) and Wafuku (traditional Japanese clothing, typical of a pre 20th Century Japan). Yes, intriguing. Just as intriguing as the beautiful, long-haired models who were wearing Boateng’s latest AW collection.  Silently posing like still statues around the Savile Row store, the brooding, dark and handsome men very much summed up his collection.

    The rich tones of scarlet and green relate back to the hunting aristocracy in Japan and the mohair jumpers relate to the Japanese values, incorporating high quality fabrics into high quality attire.

    The modern two-piece suits are tailored in a traditional Japanese fashion, with contrasting linings and subtle touches, including elbow patches. Topped off with trilby hats, Boateng completed the classic gentleman look, which was highly appreciated by both the Western and Eastern audience alike. Particularly the women.


    Words by Avneet Takhar

  • Aminaka Wilmont LFW AW 2012
    Wednesday, February 22, 2012 - 01:38
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    Yet another designer who is embracing colour and staying away from black for AW 2012. There must be something in the sweet air; designers are brazenly ignoring the dark hues and hitting the graphic and digital prints scene like they are back in fashion. Ooops, that’s because they are!

     

    Wilmont’s use of silky textures and structured silhouettes shows that she is bringing sexy back in an elegant form. Water coloured, smudged and slightly scale-like prints (like a mermaid, not a trout) looked refreshingly dramatic as the models walked down the catwalk, hair slicked to a side parting, half flowing, half held in pins with cherry pouts to toughen the look.

    Frankie Sanford and Diana Vickers joined the FROW for the show and were watching appreciatively, perhaps noting down what Wilmont number to wear for their next stage appearance.


    One can only hope, as Aminaka Wilmont has combined such a sophisticatedly cool collection, that it would be fashion suicide not to pick up on the fact that she looks set to be the ‘new’ Erdem (with all due respect Mr Moralioglu).

     

    Written by Avneet Takhar

    Images: www.whosjack.org

     

  • LOUISE GRAY AW12
    Wednesday, February 22, 2012 - 00:26
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    Louise Gray Fall 2012 Ready-to-Wear

    Louise Gray Fall 2012 Ready-to-Wear

    Louise Gray's collections are reliable. Reliable in the sense that they are predictably eccentric and perfectly encapsulate the essence of London Fashion Week- an eclectic hodgepodge of design chaperoned by a profound sense of natural style. Sponsored by COTTON USA, Louise Gray AW12 took inspiration from Blondie Jim Dine and Sarah Lucas.

    Louise Gray Fall 2012 Ready-to-Wear

    Louise Gray Fall 2012 Ready-to-Wear

    Gray demonstrated restraint by only showing 23 looks. However, these 23 looks packed a punch. Each outfit was a clash of concepts, colours and silhouettes.  As with each piece itself, the outfits had depth and gave more with every glance. Shirts and tea-dresses or sequined leggings with tunics were worn with patent boots. Decorated with zigzags and barcode, the knee high boots had something of the Go-Go dancer verve. The collection's reference points veered from the 80s - very strong in The Blitz style hairdos and New Romantic make-up to Fernand Leger. The clothing was club-ready and in Nu-Rave worthy colours.

    Louise Gray Fall 2012 Ready-to-Wear

    Louise Gray Fall 2012 Ready-to-Wear

    Gray's Autumn Winter collection showed maturity - it was more commercial and far more wearable than previous seasons. Gone are the chaotic ribbons and plastic threads, replaced, now, with sellable outerwear and separates. Skirts, leggings and trousers were paired with tunic tops, knitwear and shirts. However, as ever, Gray has an innate understanding of the richness and depth provided by layering. The commerciality of this collection didn't detract from the perfect combination of clashing prints and high-octane colours. Beaded bra tops and graphic graffiti and QR code prints were neon bright. Gray has taken a sure-footed step with inventive design remaining her cynosure but it's a collection that will sell.  

    Louise Gray Fall 2012 Ready-to-Wear

    Louise Gray Fall 2012 Ready-to-Wear

     

    Words by Lucy Morris

    Photos: Style.com

  • CHARLI XCX x FRED BUTLER SOUNDTRACK - DOWNLOAD FOR FREE
    Tuesday, February 21, 2012 - 11:31
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    This season one of our fave singers Charli XCX has teamed up with another of our favourtire designers Fred Butler as part of the Red Bull Catwalk Studio project. Inspired by Fred's Tank Top-Ranking, Tongue-Tied and Twisted collection, Charli created the catwalk track 'I'll Never Know' for Fred’s London Fashion Week show at Somerset House.

    Charli said, “I'm hugely inspired by fashion and creation, so when I heard about the opportunity to write a track specifically for Fred Butler, I was super excited. I think her work is hugely unique and fresh, and her new collection is especially different from anything I've seen before. She has a great vision and I love to work with people who speak in colour and music - so we get each other perfectly.”

    We think so too!

     

     

    DOWNLOAD HERE (only from the 20th - 27th February 2012) 

  • Erol Sabadosh remix for LAKO BUKIA's catwalk during London Fashion Week
    Tuesday, February 21, 2012 - 11:07
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    Lako Bukia AW12 Soundtrack by Erol Sabadosh by Erol Sabadosh on Mixcloud

  • Lako Bukia Autumn/Winter 2012 from Vauxhall Fashion Scout
    Tuesday, February 21, 2012 - 00:44
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    Lako Bukia’s Autumn/Winter 2012 collection is derived from Georgian superstition. Educated at the A. Kutateladze Tbilisi State Academy of Art, the designer focuses on the fear of looking into broken mirrors, which are said to bring bad luck in her native country. Reflected through a black and silver bichromatic palette, shiny silks and shattered glass embellishments, this custom provides a strong conceptual backbone for a glittering set of floor-length gowns, pencil skirts, fitted trousers and sheers for the fearless.

     Lako Bukia Autumn/Winter 2012 from Vauxhall Fashion Scout

    Lako Bukia Autumn/Winter 2012 from Vauxhall Fashion ScoutLako Bukia Autumn/Winter 2012 from Vauxhall Fashion Scout

    Lako Bukia Autumn/Winter 2012 from Vauxhall Fashion ScoutLako Bukia Autumn/Winter 2012 from Vauxhall Fashion Scout

     Lako Bukia Autumn/Winter 2012 from Vauxhall Fashion Scout

    Lako Bukia Autumn/Winter 2012 from Vauxhall Fashion Scout

    Lako Bukia Autumn/Winter 2012 from Vauxhall Fashion ScoutLako Bukia Autumn/Winter 2012 from Vauxhall Fashion Scout

    Written by Marina Kolobova

    Photography by Marina Kolobova

  • Tramp in Disguise AW 2012
    Monday, February 20, 2012 - 23:12
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    Tramp in Disguise AW 2012Tramp in Disguise AW 2012

    Tramp in Disguise AW 2012

    Tramp in Disguise was launched by designer Sini Moilanen in 2010. But Moilanen didn’t always want to be in fashion. “I thought before that I wanted to be a doctor,” she said at the Felicities Presents event held in Somerset House. Saving lives had nothing to do with the collection Moilanen showed for Autumn/Winter since her garments are inspired by the dead. “For this collection it’s been about Mexico,” she said, “It started with the Day of the Dead. It started with Aztec prints.”

     Tramp in Disguise AW 2012Tramp in Disguise AW 2012

    Tramp in Disguise AW 2012

    The Day of the Dead has been a flamboyant festival for the departed since the Aztec times. Filtered through the imaginings of a Finnish-born Royal College of Art graduate, a degree of theatricality still surrounded this sacred Mexican holiday. Sini Moilanen’s dynamic silhouettes cut a tall and sleek figure, aggrandized by goddess-like draping and high slits. Bright blocks of colour broke prints becomingly around the waist. The rest of the garments, decorated with lace-like patterns, nodded to the elaborate but morbid designs of Mexican festival costume. Textures were light and half-there, they had about them an ethereal sheen associated with the supernatural, the dead and the divine.

     

    Written by Marina Kolobova

    Photography by Atsushi Meguro

     

    Images provided by Sini Moilanen

    Hair and make-up by Rhea Le Riche

    Model: Natalie Leni's Modes

  • Q&A with Carlotta Actis Barone
    Monday, February 20, 2012 - 17:32
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    What were your inspirations for the AW collection? 

    I like to include social and political issues and it was Memory Day last month. The military and the Jewish religion are also inspirations- I included the star of David in some of the designs. 

     

    How did you decide on the silhouette and textiles? 

    For the silhouette I covered some of the pieces for Jewish culture, but the gowns are with nice ruffles.


     

    What type of woman would you envisage wearing Carlotta Actis Barone? 

     

    Nicole Kidman. I could see her wearing each and every thing.

     

    How are you finding LFW? 

     

    Very useful, this is my fourth season and I started with nothing. It’s all down to LFW, the market isn’t so saturated like Milan and Paris.

     

    Whose shows are you looking forward to?

    Vivienne Westwood.

     


    Any LFW survival tips?

     

    Well, I’ve survived and I have a fever but I’d say don’t go to Premiere Vision (fabric show in Paris) before LFW!

     

     

     

    What would you say makes LFW different to all the other fashion weeks around the world?

     

    It’s very fresh, there are many more up-and-coming designers.

     



    If you could sum up Carlotta Actis Barone in 3 words, what would they be?

     

    It’s daring, fascinating and elegant.

     


    Who are your IDOLs?

     

    My family.


    Read our runway report on Carlotta Actis Barone AW12 here

     


     

     

    Interviewed by Avneet Takhar


     

     

     

     

     

  • Q&A with Bernard Chandran
    Monday, February 20, 2012 - 16:49
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    What were your inspirations for the AW collection?

    The kind of girl who has a boyfriend who is an architect who understands detail- the details that are very sleek and smart. And Jackie Onassis. True glamour in a subtle way.

     

    How did you decide on the silhouette and textiles?

     

    I like using silk and organza for luxury.

     

    What type of woman would you envisage wearing Bernard Chandran?

     

    Women that are settled, like Tilda Swinton and Cate Blanchett.

     

    How are you finding LFW?

    It’s always very exciting and crazy!

     

    Any LFW survival tips?

     

    Just do what you do, dream that dream and everything will come naturally.

     

    What would you say makes LFW different to all the other fashion weeks around the world?

    It pushes the boundaries, it’s quirkier and there are so many trendsetters here. It’s very current and updated.

     

    If you could sum up Bernard Chandran in 3 words, what would they be?

     The coolest, sexiest and hippest.

     

    Who is your IDOL?

     

    Cate Blanchett.

     

    Read our runway report on Bernard Chandran AW12 here


    Interviewed by Avneet Takhar

     

     

  • Q&A with Ashley Isham
    Monday, February 20, 2012 - 16:30
    Comments (0)

     

    Can you tell me about your inspirations for your AW12 collection?

    The inspiration for my collection is basically Greek mythology, the Greek goddesses. They were very feminine but at the same time strong and empowered, because obviously they are the Gods, right? We like women to be feminine but at the same time empowered and feel beautiful.

     

    How did you decide on the silhouette and textiles?

    Basically I am very particular about the things that I do. For example, jerseys are meant to be flowing, meant to be draping. It’s meant to just skim the body. That’s what I like about jersey, and that’s why I enjoy draping a lot. And I feel that the fabric should have a life of its own, and it’s very important to work with the characteristics and the personality of each fabric.

     

    Who do you envisage wearing it?

    Well, I like to see people wearing it. A group of ladies. Women about town, who actually love dressing up and appreciate the finer things in life- because I think at the end of the day we still love the luxuries, and it’s all about the little finishing we do. When you wear it then you understand, “Oh my God – you know, it just fits like a glove.” And I think that’s what I always like. You know that women put on my dress and say, “Wow, I feel great.”

     

    Are you attending any other shows this Fashion Week?

    Actually I am going to go back home. I’m going to sleep I think and hibernate for the whole week because I’ve been so exhausted. It’s just I haven’t been well so I was in hospital actually. I was in hospital for two weeks. Of course to take all this in, you have to keep telling yourself, “I can do it, I can do it, I can do it. I will get better” - so all the positive things, you know?

     

    Who is your Idol?

    My idol must be the designer Tom Ford because I feel that he is always so immaculate, so fabulous, very precise, and at the same time he knows his women. And he celebrates women, which I think is wonderful. He loves women, obviously.

     

    Read our runway report on Ashley Isham AW12 here

     

    Interviewed by Marina Kolobova

    Image: www.theupcoming.co.uk


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